|
Austria Czech Nuclear-Ghostly dinosaur
http://vimeo.com/34099827
Shot with Canon 7d. Picture profile-"Cinema" by http://www.cineplus.ch/cinema.html
Austria, which has long been anti-nuclear, has called for the continent to abandon nuclear power altogether, but its neighbour, the Czech Republic, is pushing ahead with plans to increase dramatically its production of atomic energy.
The nuclear age ended in Austria before it had begun. Just outside Vienna is the atomic power plant at Zwentendorf on the Danube.
In the late 1970s, it was ready to go into operation. All that was needed was the installation of the fuel rods and the push of a button.
Correspondent: Bethany Bell
http://www.vimeo.com/24969933
"The freedom to move" is a promotional video made for the "Austrian rowing federation", promoting adaptive rowing.
Shot in under 5 hours and edited in 2...
Producer: Katinka Nowotny
Camera Assistant: Stefan Nutz
Director, Camera work, editing: Johnnie Behiri
Photos: Friedrich Bruck, Stefan Nutz
A big thank you to Roland, Birgit and Fritz for their contribution for that video.
Camera: Canon 7d, Go Pro
Lenses: Canon f2.8 17-55mm, Canon f2.8 70-200, Samyang F1.4 85mm, Samyang f3.5 8mm fisheye
Slider: Kessler crane Pocket dolly
EVF: Cineroid
Rig: Vocas
Tripod: Sachtler DV8 SB
Bags: Kata
Filter: Light craft fader ND MarkII
Picture profile: Technicolor CineStyle
Editing platform: Premiere CS2, Cineform
Color correction: Cineform FirstLight
http://www.vimeo.com/23626261
About this short feature:
An Austrian resident has chosen to have his dysfunctional hand cut
off so that it can be replaced with a bionic limb. It's the work of a
Vienna-based surgeon who believes elective amputation and what he calls
"bionic reconstruction" can offer certain patients with traumatic
injuries the best hope of regaining bodily function.
When Neil Bowdler, the BBC Science correspondent, came up with the idea to shoot the “Bionic reconstruction” story, the obvious working tool for me was a VDSLR. Neil was exited and open minded to explore that possibility.
My goal was not to achieve the optimal recognized “film look”. After all, there is no point of having a complete blurred background when Neil is talking about a situation happening behind him….
Also, some of the interviews we made were nicely lit. Unfortunately when editing the short version of the story to “BBC world news” we decided not to use them “content wise”. Those were used later in the longer version done in London for “BBC Newsnight” (bbc.co.uk/news/science-environment-13453872)
Camera: Canon 7d
Lenses: Canon 17-55 f2.8, Tokina 11-16 f2.8, Canon 70-200 f4.0
Audio: Tascam DR-100 recorder, Sennheiser G2 EW100 wireless system, Sanken Lav mic, Cos 11D
Rig: Vocas
Electronic VF: Cineroid
Tripod: Sachtler DV8 SB
Light: Litepanel 1x1, Viso PH 5502 (kino style)
Editing: Adobe Premiere CS2 with Cineform Neo4k
Color correction: Cineform “FirstLight”
Here is the split screen version of a short video I filmed in "real harsh sun almost midday" conditions.
The idea was to see first hand how the new picture profile is helping the camera to cope with highlights/shadow + how skin tons looks before and After utilizing the LUT.
It was also a chance to check an old Angenieux Leica R Zoom lens (35-70, f2.5/3.3). My feeling is that I need a different adapter to the EOS mount. With the current one focus is not absolute.
Working in Technicolor's CineStyle picture profile is requiring some practice. Focusing is no easy and try to close at list half stop more from the "correct exposure".
Equipment used:
Canon 7d
Fader ND
Cineroid EVF
Tokina 11-16mm f2.8
Canon EF 70-200 f.4
Angenieux Leica R Zoom lens (35-70, f2.5/3.3
Music:Toshihiko Sahashi, Big O Season, apologine-bleecker-st
ISO: 160
Picture profile settings as recommended by Technicolor
Edited in Adobe Premiere CS2 with Cineform Neo 4k.
Technicolor's LUT file utilized within Cineform First-Light
Kata's VDSLR rain covers solution highlight review
Rain covers don't look sexy or attractive, but it is not about look it is about functionality. Those guaranty to save you from rain and dust.
Shot on Canon 7d and GoPro Hero
Pages:1 - 2
| 
